Literary Gruntwork

How many books have you read so far in 2019?  Five?  Ten?  Twenty?

I have read forty-six, and counting!

 

Though, “read” is not 100 percent accurate.  More to the point, I have proofread forty-six books so far this year.  I work in a freelance capacity for seven publishers–and have the editors at said publishers ever kept me busy!  Not that I’m complaining, mind you.  After all, one of my favorite things is, and has always been, reading.  Getting paid to do it is akin to a dream job.

 

That said, the nonstop assembly line of book after book does get rather challenging from time to time.  There are weeks when I need to get through three books in six days–long books, too!  Again, I am not complaining–it is work I enjoy and am grateful for.  And the literary menu is varied.  I proofread both fiction and nonfiction, novels that range from suspense to literary to romance, nonfiction about religion, politics, finance, philosophy, health, science, pop culture, humor, and more.  I can go from reading a 400-page tome on investing to a crime-suspense novel all within the span of a couple of days.  It is interesting, to say the least.

 

And it all began by accident.  Way back in 2001, not far removed from finishing graduate school, I was calling around, looking for employment.  One of the places I contacted was a small book publisher here in Vermont.  “We don’t have an opening,” they said, “but we can always use a freelancer.”  At the time, I wasn’t even aware that publishers often utilized the services of freelance proofreaders.  As a writer myself, a grammar nerd, and a former English major, I decided, “Why not?”  I gave it a shot.  And, right from the outset, I realized–this was a gig for me!

 

The work is flexible, I can do it from home, and it even allows me to (virtually) meet editors and professionals inside the publishing industry.  It also has, over the years, strengthened my grammar skills and honed my ability to edit and check my own work.  Admittedly, I have always enjoyed grammar, dating back to high school (weird, I know).  But after proofreading close to a thousand books since the turn of the century, my grammar eye has become sharper, more observant, more disciplined.  And that matters.

 

I’ll be the first to admit:  grammar and mastery of style are not the most important skills in a writer’s toolbox.  Especially when it comes to creative writing, what matters above all is the talent to weave a story, engage a reader, create three-dimensional characters, understand the rhythm of words and the art of pulling it all together.  Some of this can be learned, studied, enhanced through reading and practice (i.e., writing).  But some of it, too, is innate–an inborn ability to tell a tale, an untaught sense of where to begin, how to escalate, where to pull back, how to capture the dialogue and mannerisms and idiosyncrasies of your characters.  In short, how to captivate a literary audience.

 

Nevertheless, if a writer completely ignores grammar, or is indifferent to improving in this area, it can deep-six his or her ambitions.  If a writer litters their manuscript with dozens upon dozens of grammatical errors, even the most patient editors and readers may turn away, no matter how riveting the content.  If you have a story to tell, you have to be able to master the tools and precepts of the language you’re working in to tell it properly.

 

“I’ll let my editor deal with it,” is the lazy writer’s way out–not to mention, many of us don’t have the luxury of a full-time editor to begin with.  Granted, the “small stuff,” the gruntwork of semicolons and commas and em-dashes and dangling participles and subjects and objects and prepositions can seem not only daunting, but boring, and anathema to the creative process.  And I’m certainly okay with overlooking these stodgy tools of the trade–for a while.  No need to sweat it out during a first draft.  But at some point, in order to dress your creation up in its finest clothes, to make it presentable for the discerning eye of your readers, that grammatical toolbox needs to be opened and delved into. (Ah!  Did I just end the sentence with a preposition??  Well.  It’s important to follow the rules, sure, but also important to know when and how you can break them!)

 

For me, proofreading helps me to stay sharp with all of this.  It’s true–there are periods when the workload becomes so heavy, I cannot find the time to do what I most want to do–which is write.  I need to put my own stuff on hold until the deluge ends and a season of relative calm returns with my freelance schedule.  But it’s rewarding to be “the last line of defense,” so to speak, in the publishing process of the books I proof.  If I fail to catch errors, the readers will–and they will let the editors know about it.  In that way, for sure, as a proofreader, the best news is no news.  No news means no complaints.

 

Such is the way of literary gruntwork.  When done well, no one notices the effort.  Absent the grammatical blunders, they just notice the story.

And . . . isn’t that what every writer wants?

 

Thanks so much for reading!

–Mike

“The Singularity Wheel” Is Now Available as an E-book! (Or, “This Is Next Year!”)

When the 1955 baseball season opened, fans of the Brooklyn Dodgers wanted to believe–but couldn’t quite get there.  It’s not that the Dodgers weren’t talented.  Every year, they fielded a winning team, a championship-caliber team replete with All-Stars such as Jackie Robinson, Duke Snider, Pee Wee Reese, Roy Campanella, and Gil Hodges.  The thing was, the Dodgers were the ultimate tease.  Since 1941, Brooklyn’s beloved baseball team had made the World Series five times, and each time they lost to the cross-town rival New York Yankees.

 

 

Heading in to 1955, nothing seemed to be different.  The Dodgers were still great, but so were the Yankees.  What was worse, the Dodgers were getting older.  The window was closing.  Players like Robinson and Campanella were on the back end of their careers.  They couldn’t last forever.  No doubt, the Flatbush Faithful must have questioned that spring if their Dodgers would ever win the Series and dethrone the Yankees.

 

Heartbreak was a by-product of rooting for the Dodgers.  At the end of every season, when their team came up just short, the fans would proclaim, “Wait till next year!”  It was a rallying cry that had endured for decades.  To be a Dodgers fan in the mid-twentieth century, you had to be patient, willing to stick with your team despite coming so close season after season.

 

And so even after the Dodgers powered their way to the National League pennant that summer of ’55, winning by a comfortable thirteen-and-a-half games, their fans remained skeptical.  Sure, they were going back to the World Series.  So what?  That was old news.  And so was their opponent–the Yankees.  Another Dodgers-Yankees Subway Series was in the offing.

 

The Series did not start well for Brooklyn.  They lost the first two games in Yankee Stadium.  “Here we go again,” the Dodger faithful must have thought.  “Wait till next year.”  But then a funny thing happened.  As the Series shifted to Ebbets Field, the Dodgers took all three home games, forcing the action back to Yankee Stadium.

 

The Yankees won Game 6, but in Game 7, the Dodgers shut out their arch-rivals, 2-0.  Finally–after decades of coming up short, the Brooklyn Dodgers had won the World Series.  This was, at along last, “next year.”

 

***************************

And now, after four-plus years of writing, editing, and revising, The Singularity Wheel is available on Amazon.  By no means am I equating the sequel to The Eye-Dancers with the legendary Brooklyn Dodgers!  And four years is but a fraction of the decades-long dry spell the Dodgers experienced–but it is good, and rewarding–after so many delays along the way–to release the book.

 

The Singularity Wheel is currently available only as e-book.  You can find it here . . .

The paperback version will be released in February.

Honestly, it’s an odd feeling to be done with the book.  It’s been a part of me for so long.  For the past half-decade, not a day has gone by where I haven’t stressed over some character’s motivation or some sticking point in the plot.  But there is also relief, and a deep gratitude to all of you, who have encouraged me and supported me along the way.  I can’t thank you enough.  And I look forward to blogging with you throughout 2018 and beyond.

 

For right now, this is, indeed, “next year” for The Singularity Wheel.

 

Thanks so much for reading!

–Mike

The Value of Ten “Bucks” (Or, The Belated Announcement of a Book Release)

When I was nine years old, back on a summer day in the now all-too-vintage 1980s, I made a bet with my older brother John.

We were in the swimming pool, in our neighbors’ backyard across the street.  Lucky for us, growing up, our neighbors had an open-door (or, perhaps in this case I should say, open-water) policy with their pool.  I used to swim in their pool almost every day that summer.  But this day, something different happened.

 

“I’ll bet you ten bucks you can’t swim six laps underwater without coming up for air,” my brother crowed.  He was nine years my senior, and had just graduated from high school.  He was riding high that summer.

 

“You’re on,” I said.  I doubted I could do it.  The most number of laps I had ever swum underwater was four–six would push my lungs to the breaking point.  But ten dollars was a lot of money to a nine-year-old, especially back then.  I was all-in.

 

“This’ll be fun to watch,” John said, and waded over to the side of the pool.

“Ten bucks?” I called over to him, just to be sure.

“There’s no way you can do six laps, Mike,” he said.  “But yeah, if you shock me, the offer stands.  Ten bucks.”

That was good enough for me.  I didn’t hesitate.  I dove under and completed the first lap.

The next couple of laps were easy–I was feeling strong and still had plenty of air in reserve.  But by the time I completed the fourth lap–my old limit–I was starting to suffer.  My lungs were growing hotter, my arms and legs were getting tired.  But I pushed on, kicking harder.

 

I completed the fifth lap.  One more to go.  I nearly gave up then and there.  My chest was on fire.  I worried I might black out.  It was agony to attempt that final lap.

But I did, and when I tapped the opposite side of the pool to finish the sixth lap, I rose to the surface, gasping for air.  Oxygen had never tasted so sweet.

 

“Wow,” I heard my brother say.  I was vaguely aware of him approaching me, swimming toward me from the other side.  “I can’t believe you did it.”

I wasn’t able to respond for several seconds.  I continued to take deep breaths, savoring the air.  Finally, when my lungs had sufficiently recovered, I said, “What about those ten bucks?”  As I had propelled myself through the water on that final lap, it was the promise of the ten dollars that made it seem worthwhile.  That and seeing my brother admit defeat.

 

“Oh, sure,” John said.  “That was the deal, right?  Ten bucks.” And he proceeded to punch me, lightly, on my arm–ten times.  “There you go,” he said.  “There’s your ten bucks!”

With that, he got out of the pool, dried himself off with a towel, and bent over laughing.

 

I never did see that ten dollars.

****************

Looking back, benefited by the cooling perspective of time, I remember the incident fondly.  It’s a memory of childhood I’ll always carry with me–and to this day, I remind my brother of his antics on that long-ago afternoon.  All in good fun, of course.

But as the editing process for The Singularity Wheel–the sequel to The Eye-Dancers–has dragged on through various and sundry delays these past few months, I have thought often of that phantom ten dollars.   I’ve pushed the release date of The Singularity Wheel back half a dozen times, to the point where it almost began to seem like it would never be released, that it was a ghost-book, a figment, as immaterial as pollen on the wind or the light, feathery strands of gossamer in the dark heart of a primeval forest.  How many times would I say the release was imminent, only to see it pushed back?  Was my word no better than my brother’s that day, decades ago, in the neighbors’ pool?

 

Now, however, I can at last report that the manuscript is finished, the edits done.  After a seemingly endless catalogue of revisions, of much gnashing of teeth and pulling of hair and debates with characters, the story is truly over and done.  Even now, I have a hard time admitting that.  After all, no story is without flaw.  Even Anna Karenina and The Grapes of Wrath have warts.  Nothing created, nothing put to the page is without blemish.  There is always something, some word, some turn of phrase, some snippet of dialogue that can be made better.  Saying, “I’m done,” is one of the most difficult aspects of the creative process.  But here, today, I can finally say it.

 

The Singularity Wheel is far from perfect.  No doubt it is chock-full of issues and shortcomings.  But it’s the best I can do.  After four and a half years of working on it, there are no stones left to be turned, no closets remaining to open.  For better or worse, this represents my full and utmost effort.

 

So it is with great relief that I say, The Singularity Wheel will be released, on Amazon, within the next fortnight.  The files are being readied for publication, the last steps in the process are being completed.  My birthday is January 26.  The goal is to release the book prior to that date.

 

And this time, once and for all, that represents ten bucks you can most assuredly take to the bank.

Thanks so much for reading!

–Mike

“You Can’t Get There from Here” (But You Can . . . with Some Delay)

It was one of those lazy, hazy midsummer days in the Northeast, when the humidity hangs thick and wet over the land.  I was driving through the back roads of central Vermont, looking for a particular house–an address tucked away on a dirt lane far from the beaten path.  These were the years before I had settled in this area and called it home.  I didn’t know my way around.

 

Sure enough, as I came to an unmarked intersection, I took a wrong turn.  I didn’t know it at first.  It took a couple of minutes.  But when I drove several more miles and didn’t have a clue where I was, I decided to stop in the gravel parking lot of a country store.  It was the only place I saw, aside from isolated farmhouses and old, weathered barns, that might offer the hope of someone providing directions to steer me back along the right route.

 

I parked in front of the store, a clapboarded single-story structure with white peeling paint and two ancient gas pumps out back.  They looked like something out of the 1950s.  I had no idea if they were operational, and had no intention of finding out.

 

The door was open, without a screen, and I walked in.  The interior was small and cramped, complete with wooden shelves, a pot-bellied stove in the corner, and thick bark-covered beams overhead.  Beside the unlit stove, four men sat at a round table.  Each eyed me suspiciously.

 

I approached the table.  The men, three of whom were seniors, and the fourth perhaps in his thirties, continued to eye me.  There were poker chips gathered in the middle of the table, and the men were holding playing cards in their hands.  Already uncomfortable at the intrusion, now I felt worse.  I was interrupting their game.

 

“Excuse me,” I said.  My voice sounded too loud in the close, warm space.  “Sorry to bother you, but I was wondering if you might be able to help me find an address.  I thought I had everything mapped out, but I guess I was wrong.”

The men just sat there, motionless, looking me over as if I were a specimen to be driven over to the town taxidermist.  One of them cleared his throat.  A second placed his cards, facedown, onto the table.  The other two just stared.

 

I gave it a few seconds, and when no one said a word, I took a step back and turned toward the door.  I guessed I’d go knock on a farmhouse door and hope for a more cordial response.

 

That was when someone finally spoke up.

“Where ya headin’?” the younger guy said.

I turned back around, told them the address.  This brought on another round of silence.

Then, the oldest-looking guy seated at the table, a gaunt fellow with wire-rimmed glasses, said, “Thing is–if you was a bird, it’d be easy to get where you’re wantin’ to go.  But if you have to take the roads–it’s a field.  Fact is, you can’t get there from here.”

 

One of the other men smirked.  Another one coughed.

I wasn’t sure what to say.  I realized I was the amusement for the day.  There was no reason to hang around.  I’d just have to go back the way I had come and re-map the journey.

 

But then the younger guy held up his hand, and proceeded to give me the directions I needed.  He used short, staccato phrases, offering only the barest of minimums.  But I thought I had it when he was through.

I thanked him for his help.

“Would be easier if you was a bird,” the older man said again.

When I walked back through the doorway, I was sure I could hear them laughing.

As I got behind the wheel of my car and pulled away, I wondered if they had given me the wrong directions–just to further the joke.  But they hadn’t.  Twenty minutes later, I found the place I was looking for.  The directions were accurate.

 

“Though roundabout,” I was told later by someone in the know.  “He led you out of your way.”

But at least I’d made it–delay or no delay.

************************************

And that also accurately sums up the writing and editing process I have undertaken on The Singularity Wheel–the sequel to The Eye-Dancers.  It was a surprise project from the get-go.  I hadn’t even envisioned there would be a sequel–but then, out of the ether, an idea struck that wouldn’t let up and wouldn’t let go, and I had to write it.

 

When I began the book, over four years ago (!), I had no way of knowing how winding, circuitous, and bumpy the road would be.  I first announced the sequel’s existence in a blog post in the spring of 2014.  “It’ll take another year to write, no sweat,” I thought at the time.  But then 2014 bled into 2015, which morphed into 2016–and still, the book wasn’t finished!  There were character crises, plot points that needed wholesale makeovers, and twists and turns in the story line that needed alterations.  It was, and has been, the most challenging writing project I have ever undertaken.

 

Even so, as 2017 dawned, I was almost finished!  And in April, the first draft was finally complete.  I was at last able to key in the words, “The End.”  I even posted about it at the time.  So okay–I would release The Singularity Wheel at the end of summer!  Piece of cake!

 

During the editing process, however, I found that more changes still needed to be made than I’d realized.  Time slipped past, summer came and went.  Then again, The Eye-Dancers was originally published in November 2012.  I liked the symmetry.  Why not release The Singularity Wheel in November 2017?  It would be perfect.  Five years of real time had passed–and, in the story itself, five years of fictional time had also passed from the conclusion of the first book to the start of the second.  Everything was coming full circle.

 

But now–here we are, in November, and just like my journey through the back roads of Vermont that summer day years ago, I have discovered that “as the bird flies” isn’t always the way a story will proceed.  I am right now in the final edit/proofreading/copy editing stage.  The endgame.  But even here, I have found a few last wrinkles that need to be ironed out, a few tweaks that need to be inserted, a last assortment of fixes that need to be made.  Grudgingly, I have come to realize that the November release is too ambitious.  The project has been “a field” as the old-timer at the country store said to me once.  A field, indeed.

 

That said, the eleventh-hour adjustments are minor in nature.  Ninety-nine percent of the work has been put in.  It’s just a matter of trying to finish strong and present the best possible product I can upon publication.  As much as I wanted to meet my own self-imposed November deadline, I didn’t want to rush it now, at the end, after such a long journey getting here.

The delay will be one month.  And this time, there won’t be any further postponements!  The Singularity Wheel will be released prior to January 1, 2018.  I don’t have a single, specific date in mind–but it will be in December.  This time, I promise.

 

In this season of Thanksgiving, I want to thank all of you who have read and still read this blog and who have supported The Eye-Dancers these past five years.

 

Writing a sequel has been a long, long process, often beset with speed bumps and deep, tire-puncturing potholes, but, to paraphrase my old country-store friend, I have, at long last, “gotten here from there.”

 

Thanks so much for reading!

–Mike

On Symmetry (Or, There’s Something about November)

“Hey, how about that?” I said when I received the schedule for my senior year in high school.  I had been waiting for it for a few days, eager to see who my teachers were and what order my classes would be in.  (Mind you, these were the days, in that long-ago 20th century, when class schedules were snail-mailed.)  For three days, I had been watching for the mailman, a rotund fellow by the name of Al, to deliver it.  Finally, the schedule had arrived.

 

The first thing I noticed was that one of my teachers would be someone I knew well, someone who had taught me in a different class as a freshman.  I will call him Mr. D.  And back in my freshman year, he taught English and unlocked for the class the treasures of great literature and the colors of the writing rainbow.  But now, in my senior year, he would be teaching a class called Current Events.  Great, I thought.  I always liked Mr. D.

 

On the first day of school, I lingered after class for a couple of minutes, talked with him about what might be in store for the semester, reminisced about ninth grade.  “Freshmen,” he said with a roll of his eyes.  He still taught freshman English, too.  In fact, even as we spoke, the first brave souls of his freshman English class began to trickle in to the room.

 

I told him about the impact his writing rainbow lesson had on me, how I still thought about it, still tried to live it, and always would.  That made him smile.  I asked him if he still talked about writing rainbows and creativity and reaching for your best to the current crop of freshmen.  “Indeed, I do,” he said.  I was glad to hear it, and hoped some of the wary underclassmen filtering into the room, eyeing me suspiciously as I conversed with the teacher at his desk, would be as motivated by the lesson as I had been.

 

“Well, it’s good being back in your class,” I said then, knowing I needed to go.  If I didn’t leave soon, I’d be late for my next period.  “I look forward to the semester.”

And I did.  I meant it.  And it didn’t disappoint.  Mr. D. didn’t disappoint.  Throughout the term, he assigned for us to read through issues of Time and Newsweek, and report on the news, every week.  (Again, this was early 1990s education!  No Googling.)  Frequently, my worldview clashed with his, and we’d have spirited debates.  He’d write in the margins of my handwritten essays that he disagreed with my interpretation of events but that he supported my right to hold views contrary to his own.  We argued, we clashed about politics, but I enjoyed the class.  And, I like to think old Mr. D. enjoyed having me as his student again.

 

One morning, a frosty, early November, hint-of-winter morning, I arrived in his class a few minutes early.  Since it was the first period of the day, there were no departing students from a previous class.  It was just Mr. D. seated at his desk.

 

I approached, and we started talking.  I mentioned again how it was good having the opportunity to take a class he taught.  “I never thought I’d be in your class again,” I said.  “Freshmen year and now senior year . . .”

“There’s a kind of symmetry to it,” Mr. D. said.  “You got stuck with me at the start, and at the end, of your high school career.”

 

A kind of symmetry, yes.  I liked the sound of that.

*******************

It’s hard to believe it’s been almost five years since I published the e-book version of The Eye-Dancers.  Time continues to speed along on rapidly fluttering wings.  I remember well the stops and starts that led up to publication day.  There were hiccups, hurdles, and unexpected delays.  But eventually, release day arrived–in November 2012.

 

So it seems fitting somehow that, five years later, there have been delays and hurdles and hiccups with the sequel, as well.  Editing has taken longer than expected.  The writing process has taken longer.  And of course sometimes things simply crop up, a week’s delay here, a month’s there.  The end result has been a later-than-originally-anticipated release date.  But The Singularity Wheel is getting close!  I am working through the final substantive edits this week and next.  Following that, a few heaven-sent beta readers will comb through the manuscript.  Once they are done reading and offer feedback, I will do a final, final round of edits followed by a thorough copy edit/proofread.  The cover will be completed.  The file readied for publication.  And . . .

 

A November release date is planned.  Five years, to the month, following the release of The Eye-Dancers.

There is something about November, indeed.

 

As Mr. D. might say, there’s a kind of symmetry to it.

Thanks so much to everyone for all your ongoing support.  It means the world.  And thanks so much, as always, for reading!

–Mike

 

So . . . What’s a “Singularity Wheel”? (Or, a Title Finally Emerges)

Ideas are funny things.  Sometimes they strike with no warning, no foreshadowing, completely unasked for and unplanned.  Other times, you might be searching doggedly for the resolution of the next scene, the next chapter, the next story, and you peek around every corner, under every stone, every nook and cranny, hoping to find the missing piece–only to be rebuffed each time.  Sometimes ideas come complete, a gift from the muse, a fully developed story just waiting to come alive, one keystroke at a time.  And sometimes they tantalize, tease, coyly offering a hint or a lead, providing a glimpse but not revealing the whole.

ideastart

 

When I wrote The Eye-Dancers, I experienced all of this and more, and in fact the genesis of the story began two decades before the first word was even written.  When I was in high school, I had a dream one night, a taut affair where I saw a ghost outside my bedroom window–or, at least, I thought it was a ghost.  She was a little girl, no more than seven years old, and as I peered through the window, I saw her standing in the road, beneath the streetlamp that stood beside our mailbox.  The light from the streetlamp filtered right through her; she seemed more spirit than flesh-and-blood girl.  This “ghost girl” signaled for me to come outside and join her, and I was sure she wanted to lead me somewhere from which I would never return–perhaps the cemetery across town; perhaps a hidden hollow deep within the woods where boy-eating wolves or nameless, sharp-fanged creatures roamed; or maybe some ethereal phantom world, a far-away limbo on the other side of tomorrow.

wolves

 

I felt myself fighting hard to resist, not wanting to leave the security of my room.  But there was an inevitability to it all, and I knew it was only a matter of time before I succumbed.

That’s when I woke up, sweating, my sheets a crumpled mess at my feet.  It took a moment for me to gather myself, but when I did, I knew this “ghost girl” from my dream was someone I needed to write about.  In the days that followed, excited, fired up, eager to launch into a new adventure, I tried putting her in various short stories, tried to begin a novel with her as the focal point.  I even tried writing a poem about her, and I am no poet!  Nothing worked.  Frustrated, I jotted down a few notes about the dream, making sure I wouldn’t forget, and filed them in a literary to-do pile, hoping one day a story would emerge.

ghostgirlstorynothingworks

 

It took twenty years.  Then one night, I had the very same dream, taken back to the house where I grew up, seeing the same specter standing out there in the street.  Only this time, upon waking, I had the germ of an idea.  Over the next few days, the idea sprouted, watered by the suddenly giving and generous gifts of a capricious muse, fueled by enthusiasm and a drive to write the story.  And when I wrote the first words, the first scene–in which Mitchell Brant has the same dream of the same “ghost girl” I did–I believed this time would be different.  This time, the tale would be told, the story brought to its completion.

eyedancerscapriciousmuse

 

The key word being “story”–singular.  I never thought or intended that The Eye-Dancers would be continued.  At the time, I had a fully developed single-story idea, not the beginning of a series.  I had no reason to believe there would ever be a sequel.

But again, ideas are funny things, and one late-winter day, three years ago, a dramatic visual formed in my mind’s eye.  I wasn’t thinking about any of the Eye-Dancers characters, wasn’t thinking of the novel at all.  I was merely out taking a walk, enjoying the crisp New England air, the sunshine, relishing the first, shy, almost indistinguishable signs of the coming spring.  And then, from out of nowhere, it seemed, I saw it.

hintsofspringwhilewalking

 

As if by magic, the image took shape.  There were Mitchell Brant, Joe Marma, Ryan Swinton, and Marc Kuslanski–slightly older versions than what we see in The Eye-Dancers–standing before an impossibly large structure.  The building was easily the width of ten football fields, and it rose countless stories into a sky the color of ash.  And above the structure, in that ash-colored sky, were Monica Tisdale’s (the “ghost girl’s”) swirling blue eyes.  They dominated the scene, growing, expanding, overtaking the sky.  Her eyes glared down at the boys, as if challenging them to a duel.

eyesinsky

 

What was most striking about this image was the absence of color.  Aside from the “ghost girl’s” blue eyes, everything, including the giant building, was gray, a monochrome world of black-and-white. What could such an image mean?  On that day, taking that walk (I nearly collided into a tree, distracted as I was with this scene-from-nowhere!), I didn’t know.  I just knew something was stirring, a seed had been planted, the first kernels of a new idea were cracking open and waiting to grow.

blackandwhite

 

And grow they did until I realized–I had a sequel to write, after all.  Other scenes seared themselves into my mind:  Ryan, now a card shark, shuffling a deck of playing cards as if his life depended on it–and maybe, just maybe, it did.  A blue queen of spades, with eyes as blue as the “ghost girl’s,” staring out of the deck, her expression so real as if to be animate.  What did a blue queen of spades signify?  I didn’t know yet, but somehow I knew she was to be called The Singularity Queen and that she was the only blue card in the deck (all the other spades were the customary black).  The “ghost girl” herself splitting into a million versions of herself, a foot in each world, somehow in tune with an infinite number of universes.  Marc and Mitchell and Ryan and Joe vanishing from view, first a finger disappearing, then a foot, then an entire leg, and . . . ?  What did all these scenes signify?

bluequeenshufflingcards

 

The ideas came in bunches, the story evolved, fleshed out, expanded tenfold.  The boys were older now, seventeen, on the verge of their senior year in high school.  And the “ghost girl” was older, too–no longer a girl of seven, but twelve now, on the precipice of the teen years.  What struggles would they all have now, five years removed from the conclusion of The Eye-Dancers?  As I started to write, the answers came, and the journey took off.

journeybegansequel

 

It’s been a long, oftentimes challenging journey at that.  Several times throughout, I became stuck, at a crossroads or what sometimes felt like a dead end.  There have been gaps in the writing, periods of intense distraction or busy-ness where the next chapter had to wait.  But through it all, I’ve kept going.  It’s taken longer than I’d hoped, and the end has still not been reached.  Four more chapters remain.  The aim is to finish the first draft by the New Year, then edit the manuscript over the winter, and have it ready for release next spring.  As I near closer and closer to the finish line, I will post more about the story, the events, the challenges the characters will face.

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But one thing I can do right now is offer a title.  Titles are just as temperamental as ideas.  For me, sometimes titles come at the start, before I write the first word.  Often, though, when I sit down to start a story, I leave the title page blank.  “What’s this going to be called?” I wonder.  And I have no clue.

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It remained this way for two-and-a-half years with this sequel to The Eye-Dancers.  And believe me, I tried.  I spent hours trying to come up with a title.  Nothing came.  Then, one day this past summer, it did.  At first, I hesitated.  Would it work?  Or was it too confusing?  Too obscure, too odd?

I wasn’t sure, but it felt right.

The fourth definition of the word “singularity” in Webster’s dictionary reads:  “a point or region of infinite mass density at which space and time are infinitely distorted by gravitational forces and which is held to be the final state of matter falling into a black hole.”

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This coincided with another visual from the story–the blue queen of spades in the center of a circle of playing cards.  In the “ghost girl’s” alternate world, the card game in question is called The Singularity Wheel.

As it turns out, the sequel to The Eye-Dancers is called that, too.

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Thanks so much for reading!

–Mike

A Trip Back Home, a Paperback, and a Promotion

I can still remember the first time.

I was seven years old.  I don’t remember the shop, or even what kind of shop it was–a bookstore, perhaps?  A drugstore?  An eclectic little gem with knickknacks and mementos gracing dusty, wooden shelves? I don’t know.   That detail has escaped, leaking through the holes of conscious memory, a magic trick of the mind.  But the rack, the spinning rack–I remember that.

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The rack was taller than I was, filled with issue after issue of comic books.  The covers promised grand adventures, larger-than-life stories, journeys through space and time.  I spun the rack, mesmerized by the squeaking sound it emitted, the covers whirring past in a blur.

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When the rack finally stopped spinning, I looked at the comic book directly in front of me.  The Fantastic Four, number 209.  I’d heard of Marvel’s first superhero team, of course, but I was also aware that my older brother, who collected comics, thought they were overrated.  He was  Spider-Man fan.  But the scene depicted on the cover carried my seven-year-old mind far away, up high, soaring with the stars and comets and planets from galaxies so remote I couldn’t even fathom the distance.

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I knew I had to have that issue.

The rest, as they say, is history.  That single issue of The Fantastic Four began a lifelong love of science fiction, comic books, and, really, stories of all sizes, shapes, and genres.  I wrote my first short story that fall.  I began to read more and more for the sheer fun of it, not simply because it was assigned for school.  A handful of years later, I was introduced to the world of Ray Bradbury, as I lost myself in stories of carnival rides and astronauts, time travelers and Martians.  High school dawned, and I read Shakespeare, Bronte, Dickens, and Steinbeck.  When college arrived, it didn’t take long for me to declare a major–English.

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My life has always revolved around books.  The feel of them, the texture of the pages as you turn them.  The musty, magical smell of a comic book from 1952, an artifact, a relic from a bygone era.  Boys with cameras or baseball gloves smile at me from advertisements sixty years old, spanning the chasm of decades, infusing me with a sense of nostalgia for a time period I never even experienced or saw.

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The physical presence of books–the weight and heft of the volume–these elements add to the experience.  Reading a book, an actual, physical book, is different from reading its equivalent online or on a Kindle or smartphone.  Not necessarily better, just different.  More complete, perhaps, engaging more of the senses, providing for a more intimate and personal experience.  “There is no friend as loyal as a book,” Hemingway once said, a sentiment I have often shared over the years.

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And so it is with great excitement that I can announce–The Eye-Dancers, published as an ebook late in 2012–is now also available as a paperback.  It seems fitting that the publication of The Eye-Dancers in hard-copy form should happen now.  This weekend, I head back home to Rochester, NY, visiting the old house where I grew up; the house where I learned to love books, not just for the stories, but for the characteristics themselves–the binding of the spine, the wrinkles and imperfections, the crisp, fresh smell of  new editions, or the heady aroma of decades-old volumes, the yellowing pages succumbing to the oxidation and literary alchemy of time.

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I’ll bring a physical copy of The Eye-Dancers with me to Rochester, I’m sure.  And perhaps, at some point, some quiet, still moment, I’ll wander into my old bedroom, open the book, and remember . . .

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The Eye-Dancers, the paperback, is available for purchase . . .

at Amazon, http://www.amazon.com/The-Eye-Dancers-Michael-S-Fedison/dp/0692262784/ref=tmm_pap_title_0/190-9007348-1553839

and at CreateSpace, https://www.createspace.com/4920627

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Additionally, The Eye-Dancers, the ebook, is now on sale for just 99 cents, through the end of September, at the following online retail locations:

Amazon:  http://www.amazon.com/The-Eye-Dancers-ebook/dp/B00A8TUS8M

B & N:  http://www.barnesandnoble.com/w/the-eye-dancers-michael-s-fedison/1113839272?ean=2940015770261

Smashwords:  http://www.smashwords.com/books/view/255348

and Kobo:  http://store.kobobooks.com/en-us/books/The-Eye-Dancers/nKFZETbWWkyzV2QkaJWOjg?MixID=nKFZETbWWkyzV2QkaJWOjg&PageNumber=1

Thank you to everyone for all the wonderful and ongoing support!

bouquet

 

And thanks so much for reading!

–Mike

Guest Post: Tammy Salyer, New Release Announcement– “Contract of War”

Since creating The Eye-Dancers website two summers ago, I have virtually met so many great people in the WordPress Community, and one person I met fairly early on is Tammy Salyer.  Tammy was gracious enough to interview me on her fantastic website back in the winter of 2013, and it was a privilege for me to post about the second entry in her Spectras Arise Trilogy shortly thereafter.

Tammy is very generous with her support of her fellow authors, always ready and willing to go the extra mile to help out in any way she can.  So it is my pleasure today to have her post about the release of Contract of War, the third and final book of her Spectras Arise Trilogy.

I cannot recommend this trilogy highly enough!  If you enjoy taut sci-fi, first-rate prose, rich characters, and suspense that compels you to keep turning the page, then I encourage you to check out the Spectras Arise Trilogy.

But Tammy can speak of her trilogy better than I can, and so without further delay . . .

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New Release Announcement

Contract of War, the final novel in a the Spectras Arise Trilogy by Tammy Salyer, a “riveting quest on the galactic fringe,” is out July 21st.

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What it’s about:

 

Contract of Defiance, Contract of Betrayal, and Contract of War follow heroine Aly Erikson and her crew of anti-Admin smugglers through an ever-escalating glut of life-and-death adventures and trials of a living on the side of liberty and freedom—whether they agree with the law or not—in the far future of the Algol star system. As former Corps members, most are no strangers to fighting and dissent, but more than anything, they want to spend their lives flying under the radar without control or interference from the system’s central government, The Political and Capital Administration of the Advanced Worlds. But the Admin’s greed-drenched dualism of power and corruption has other plans, and throughout the series, Aly and her crew are reminded of one lesson time and again: when all other options run out, never let go of your gun.

 

Contract of War begins in the aftermath of the system-wide war between the Admin and Corp Loyalists and the non-citizen population of the Algols, where everything once resembling order has been leveled. Scattered enclaves of survivors dot the worlds, living, however they can, in snarled lawlessness. Aly and her crew have carved out a niche of relative peace, doing their best to go on with their lives through salvaging, scavenging, and stealing. But with no force left to keep the lid on the pot, the pressures of chaos and discord soon cause conflicts to boil over. As enemies close in from all directions, even, sometimes, from within, the crew once again must fight—not just for survival, not just for their way of life, but this time for a future that can finally lay to rest the system’s bloody and savage past.

 

To learn more about the series and her other projects, visit former 82nd Airborne paratrooper and author Tammy Salyer at www.tammysalyer.com.

 

Grab all three novels in the trilogy while they’re on sale for 99 cents each through August at Amazon {amazon.com/author/tammysalyer}, Apple {http://itunes.apple.com/us/artist/tammy-salyer/id519481023?mt=11}, Barnes and Noble {http://www.barnesandnoble.com/s/tammy-salyer}, Kobo [http://store.kobobooks.com/en-US/Search?query=Spectras%20Arise%20Trilogy&fcsearchfield=Series}, Libiro {http://www.libiro.com/}, and PayHip {http://payhip.com/TammySalyer}.

 

About Tammy:

tammy

Tammy writes a bit, reads a bit, and frequently races cars across intersections from the saddle of her bike. Consequently, you could probably crack walnut shells on her thighs, but she hopes no one ever tries, because … awkward. Find her on her blog (www.tammysalyer.com) or Twitter (www.twitter.com/tammysalyer), or sign up for her newsletter (http://eepurl.com/Trzh1) to be the first to know of contests, new releases, and special events you might enjoy. She’s currently working on a prequel to the trilogy and another project that has something to do with space Vikings. She hopes you enjoy reading her works and welcomes your reviews.

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Thanks so much, Tammy, for thinking of The Eye-Dancers blog on your release day!

And thanks so much to everyone for reading.

–Mike

 

An Interview with Author Shannon A. Thompson

Nearly one year ago, I interviewed author Shannon A. Thompson here on The Eye-Dancers site, and it’s my pleasure to virtually sit down with her again for a second interview.  Shannon was one of the very first followers of The Eye-Dancers blog, back in the late summer of 2012, and I thank her for her ongoing support!

Last year, I asked Shannon about her great website, shannonathompson.com, which has now grown to include nearly 14,000 followers, and which I cannot recommend highly enough; her novel Minutes Before Sunset (the first novel of The Timely Death Trilogy), which debuted last spring; her views on writing; and the advice she would give to new, aspiring authors.  This time around, we’ll discuss what she’s been up to these past twelve months, the new novel she is about to release next month, and her views on the writing process and the way characters have a penchant to do and say things you would never envision ahead of time.

So, without further delay, I hope you enjoy the interview . . .

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1.  It’s been almost one year since our first interview.  How have the past twelve months gone for you?  How has your website, shannonathompson.com, evolved over this time?

Wow!  What a question.  It’s been a crazy ride.  When you last interviewed me in March of 2013, I didn’t even have a contract for my novels.  Since then, I have signed with AEC Stellar Publishing, Inc., and I’ve been published twice–one novel and one short story.  My novel Minutes Before Sunset has since become award-winning, and the next installment of the series comes out on March 27.  I’ve graduated college, and I also work for my publisher now.  Like I said, it’s been a crazy ride–a very enjoyable one.  My website is where I’ve shared all of my adventures, but I’ve mostly been amazed at how many other readers and writers I’ve connected with over the year.  I started off with no followers, and now I’m about to hit 14,000.  I am so grateful to be able to speak with so many readers, writers, and dreamers on a regular basis.

2.  You have a new novel coming out next month–Seconds Before Sunrise, which is a sequel to Minutes Before Sunset, and the second book in The Timely Death Trilogy.  Tell us a little bit about this.  Can you give us a summary of your new novel, and how it picks up the story from the first book?

The second book starts in August–one month after Minutes Before Sunset ended.  The beginning opens up with Jessica, who no longer has a memory, but it immediately shows how the characters have changed and what events are looming over them–the main event being Eric’s approaching birthday.  While Minutes Before Sunset revolves around the Dark, readers can expect a new focus in the second book.  Seconds Before Sunrise shows what it is like to be a human in a paranormal world, but don’t worry–there is plenty of action and love struggles to look forward to.  Here’s the summary on Goodreads.

3.  I am in the process of writing a sequel, too, and I find that it has its own inherent challenges.  What did you find to be the most difficult aspect of writing a sequel?  The most enjoyable?

Actually, I wrote the sequel, Seconds Before Sunrise, before I ever wrote the first novel.  It wasn’t until I realized that book 2 didn’t make sense without book 1 that I wrote Minutes Before Sunset.  I learned a lot writing the trilogy, but I mainly learned how much having a plan can help prevent confusion like this.

4.  While writing Seconds Before Sunrise, did you encounter any surprises?  For example, did any of your characters sometimes act in certain ways you wouldn’t have foreseen?

Oh, definitely!  They change so much from the beginning of one novel to the ending, let alone from one novel to the next, so guessing what exactly they will do is nearly impossible.  I always have a plan, but I am often taken over by their decisions.  The biggest moment in Seconds Before Sunrise that I didn’t plan for at all happens in the last three chapters.  Only Eric saw that coming.

5.  When, exactly, will Seconds Before Sunrise be released for sale?  Where can readers purchase it?

March 27, 2014–it will be available through all major retailers, like Amazon, Barnes & Noble, and Smashwords.

6.  Of all the many aspects of writing novels, editing them, revising them, publishing them, and promoting them, is there any one thing you enjoy the most?  The least?

Writing is my favorite part, of course, but I also look at editing as writing.  I find most of it enjoyable.  I rarely have moments in any part of the process that I don’t enjoy.  The closest I get to that is when I’m spending a day promoting when I really have the itch to write.  That can be a confusing bummer.

7.  If you could, in one or two sentences, sum up Shannon Thompson and what she stands for, and what she hopes to achieve through her writing, what would you say?

With my passion guiding me, my dream is to create wonderful worlds, aspiring characters, blissful love, and virtues for readers to complement their everyday lives with.

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shannon

“At sixteen years old, Shannon A. Thompson became the published author of November Snow.  At twenty-one, she was featured in Poems: a collection of works by twelve young Kansas poets.  On May 1, her paranormal romance Minutes Before Sunset was released by AEC Stellar Publishing.  In July, it was awarded Goodreads Book of the Month.  It’s the first novel in The Timely Death Trilogy.  Her first short story, ‘Sean’s Bullet,’ released in an anthology in October 2013, and her upcoming novel, Seconds Before Sunrise, is expected to release March 27, 2014.

“She’s lived in five states and moved over fifteen times, which she uses as inspiration for writing.  Shannon dedicates all of her published works to lost loved ones, and she encourages everyone to find their passion.  Shannon recently graduated from the University of Kansas with a bachelor’s degree in English with an emphasis on creative writing.  She also works as a Social Media Marketing Manager for AEC Stellar Publishing, Inc.”

In addition to her website, you can find Shannon on Twitter  and on Facebook.

Please click here to purchase her novel Minutes Before Sunset.

Thanks so much to Shannon for doing this interview, and thanks so much to everyone for reading!

–Mike

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Author Interview — Joanna Wiebe

For over a decade now, I have been a freelance proofreader for a handful of book publishers.  I really enjoy it.  I have always loved to read, after all, and the publishers I freelance for offer a wide, eclectic selection of titles to work on.  Many are nonfiction, which I don’t mind at all.  I’ve always been a big nonfiction fan.  But, of course, as a fiction writer myself, I always feel excited when I am assigned a novel.  Such was the case late this past summer, when I was asked if I could proofread a Young Adult paranormal novel with the eye-catching title of The Unseemly Education of Anne Merchant.

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And as I read the story, I literally forgot I was proofreading, that this was supposed to be a job.  I was captivated by the words, the plot, the characters.  It was a joy to read.  I reached out to the author, Joanna Wiebe, asking her if she would be willing to do an interview here on The Eye-Dancers blog, and she was gracious enough to accept the invitation.

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And so, without further delay, I hope you will enjoy the interview with Joanna . . .

1.  Your novel The Unseemly Education of Anne Merchant, published by BenBella Books, is due out at the beginning of next year.  It is also the first in a series of three novels, called the V Trilogy.  Please tell us a little bit about the book, as well as the trilogy as a whole.

Well, the first book, The Unseemly Education, describes the beginning of a series of pretty major discoveries that our hero, Anne Merchant, will make about herself and the people she loves throughout the series.  In the first book, we see her very focused on what a lot of teenagers focus on: getting the hell through high school and off to college, where ‘real life’ is supposed to start.  Anne has always been a top student, so she expects to become her class valedictorian, but she finds out quickly that all the Cania kids share her drive to become what they call “the Big V.”  By the end of the book, we learn why the Big V is such a big deal to these kids, but we don’t yet know why Anne, who is a far cry from the standard Cania student, has been allowed to come to Cania; we’ll learn that in the second book, and that’s when we’ll see Anne begin to live life instead of thinking life is something that happens after you’ve got through the muck and mire of being sixteen.

2. The Unseemly Education of Anne Merchant tackles the issue of regret, and the lengths parents will go to give their children a second chance.  How did you decide you wanted to write about this theme?  Did the idea for the book just hit you, suddenly, as ideas sometimes do?  Or was it something you had thought about for a while?

The lengths parents will go to was an issue I fought to keep central to the story throughout its evolution because, from where I stand, we read a lot of romantic love stories but not quite so many stories of the love between parents and their children.  I’ve experienced the way romantic love comes and goes—I mean, the guy I was crazy about in high school is essentially the opposite of attractive to me today. 🙂  And I’ve experienced how everlasting the love between parents and their children can be.  My dad essentially raised all five of us on his own, and when he died when I was in my early twenties, I felt a desperation to have him back from which I have yet to fully recover.  That said, I’m not suggesting romantic love takes a backseat to parental love—not at all!  They’re equally complex, and that’s what I hope to explore.  Of course, this book isn’t ‘about’ a girl and her parents—it’s a fantasy-paranormal-romance-suspense book. 🙂  But it does center around how desperate a parent’s love for their child can be and how vulnerable that makes them—to say nothing of the powerful feelings children have for their parents: desire to please, worry about disappointing, fear of being unable to be real with them, and ultimately, for some of us, understanding.

The issue of regret is really interesting—I love that that came through for you.  Certainly the parents here feel regret, and some of the kids do, too, but I’ll be exploring Anne’s regrets in greater detail in the second book.  So stay tuned.

3. The Unseemly Education of Anne Merchant is a wonderful title!  I am always fascinated by titles of stories, and know from firsthand experience that titles sometimes do not come until very late in the game.  Did you know what the title for the novel would be before you began writing it, or did it only come to you in the middle, or at the end, of the writing process?

So glad you like the title!  A few other writers have commented on liking the title, too, which is a great relief to me because I’ve come to understand that I am terrible at titles.  When I was a creative writing student, the other writers in class would tell me how much they loathed my short story titles, but I thought they were awesome!  Stuff like “Prep School Boy’s Last Chance to Dance” and “There’s a Hole in My Boat.”  They’d groan; I’d smile.  With this book, my poor agent and editor had to wade through my suggestions very patiently over a very long period of time.  I’m like, “Shadows and Tall Trees!”  And they’re like, “You realize this is supposed to be something people want to read, right?”  Yeah, I guess I’m brutal.

It was actually my partner, Lance, who suggested “The Education of Anne Merchant” just around the time I was surrendering the final manuscript to BenBella, which happened after the book deal and then-title had been announced.  My editor, Glenn, added the word “Unseemly,” and voila.  I had nothing to do with it beyond coordinating it.  Which is probably why people think it’s good. 😉

4. There are some very memorable characters in the novel.  Were any of the characters inspired by anyone you know, or have known?

Thank you!  I actually worked with a guy named Manish, so (spoiler alert, but not a biggie) when my old coworkers found out I killed him off, they were like, “I knew you didn’t like Manish!”  But I totally do like him!  This minor character just felt like a Manish to me . . . and he needed to die. 😉

The character Stanley is my dad.  No question about it.  One of the greatest things I’ve heard about my book is something my sister Sarah said after she read the chapter where Anne and Stanley reunite; she said it felt like I’d created a new memory of our dad for her.

Oh, and the Pomeranian, Skippy, is the name of my nana’s Pomeranian we grew up with.  That dog had the stinkiest breath on earth, but that didn’t make it into the book, to my dismay.  When you’re writing a story like The Unseemly Education, where a reveal is around every corner, all the little details become clues; so giving Skippy stinky breath might have confused readers, even if it would have made my siblings laugh.

5. The setting for the Cania Christy Preparatory Academy, where Anne Merchant goes to school, is Wormwood Island, Maine.  Is there a special significance to this setting?  Why did you choose Maine as the location for Cania Christy?

Maine is just one of those locations, isn’t it?  I think Stephen King has done something to it; it seems cloaked in mystery and paranormality.  The school needed to be remote and on the East Coast, so it really came down to the Boston area or Maine.  And Maine just felt right.  Wormwood Island is named after the character Wormwood from CS Lewis’s amazing The Screwtape Letters, the significance of which will hopefully make sense to people who read the book.

6. The Unseemly Education of Anne Merchant is a Young Adult novel in the sense that it tells the story of a teenage girl and her unusual experiences at the Cania Christy Academy.  (Though I believe the story will appeal to readers of all ages.)  Have you always enjoyed YA fiction?  Do you have any favorite YA authors?

I love YA.  When I was what I guess people call a “tween,” I read a lot of VC Andrews and Christopher Pike; prior to that, I read the Hardy Boys.  I guess around the time I was in grade eight or nine, I graduated to bigger books with bigger stories, like The Clan of the Cavebear series by Jean Auel and the novels that would shape my appetite since, with The Jungle and The Adventures of Huckleberry Finn being chief among them.

It seems to me that the best YA writing ever is happening now and has been for the last decade or so.  I find I don’t have favorite authors as much as favorite YA books, which include The Book Thief, Fiend, and Miss Peregrine’s School—plus wonderfully indulgent reads like Smith’s Lockdown, Meyer’s Cinder, and Blake’s Anna Dressed in Blood.

7. Have you always known you wanted to be a writer, ever since you were little?  Or did the calling to write come slowly, over time?

It has been a forever thing, but it really took form after my parents’ divorce, when I was eight and we moved in with my nana.  I was very shy then, and she had a typewriter.  Writing was the most natural response to where I was and how I was feeling, and that’s never changed.

8. If there was only one piece of advice you could give to a new or aspiring writer, what would it be?

Write with a deadline.  Start writing that f***ing book right this second, and tell yourself you’ll have it done exactly four months from now.  We writers make a lot of excuses, and you just know someone’s reading this right now thinking, “It would be so cool to hold my own book in my hands, but . . .”  No buts.  Just set a date, and write.  Don’t sleep.  Don’t watch TV.  One of my favorite writers (okay, I guess I do have faves) is the late Donald Barthelme.  His brothers also wrote and taught writing.  One of the Barthelmes—it escapes me which—was describing his rigorous writing process to his students; a student asked him when he found the time to sleep, and he replied, “Who said anything about sleeping?”  Carve out time to read, to work enough to cover your bills, to sleep enough to stay alert, and possibly to run outside just to freshen your head.  All the time left over is time you should be outlining your story, writing it, revising it, editing it, and ultimately querying agents.  That’s how you move from aspiring writer to published novelist.  At least, that’s what people kept telling me, and that’s what worked for me.

9. Please tell us when and where The Unseemly Education of Anne Merchant will be available for purchase, and where readers can discover more about you and your work.

It comes out Tuesday, Jan 14, 2014, and it’s available in bookstores throughout Canada and the US.  If you’d like to keep up-to-date with news, new books, giveaways, and general awesomeness, join me on my Facebook page here: https://www.facebook.com/joannawiebefiction

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Thanks so much to Joanna for doing this interview!

And thanks so much to everyone for reading!

–Mike

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